Alain Mérot, Nouvelles Éditions Scala, 2013 Camillo Massimo, Italian cardinal, friend and protector of Nicolas Poussin – but also of Claude and Velazquez -, refers to the painter’s end of life, from January to November 1665. In the context of the XVIIth century Rome, he remembers his conversations with Poussin and draws up his portrait: … Continue reading Nicolas Poussin, Friendship embracing Painting